Contents:
‘In the Wings’ – Jill Sterret; Conservation of contemporary art: from concepts to practice, Cloaca by Wim Delvoye – Dr Muriel Verbeeck and Nico Broers; When the critical reception won’t let go of the inaugural exhibition: The case of the fragmentation of Mike Kelley’s Day Is Done – Dr Ariane Noël de Tilly; In search of the real Suzanne: Conservation of Julian Opie’s Suzanne Walking in Leather Skirt (2007) – Joanna Shepard; Shaping a collection of current art. Between curator and the artist – a problem of authority – Agnieszka Wielocha; The legalities of authenticity and contemporary art – Jean Brown; Stills and Touches. Paper conservator in a private gallery – Magdalena Grenda; Authorship and intentionality in the Contemporary Art Museum – Dr Glenn Wharton; The conservation of the Cybernetic Tower of Nicolas Schöffer: between the continuity and historicity of the production – Manon D haenens; Good Vibrations: Conserving Soto’s Grande muro panoramico vibrante – Dr Paolo Martore; Shifting authenticities in re-performance – Christine Baviere; The aesthetics of change: On the Relative Duration of the Impermanent and critical thinking in conservation – Dr Hanna Hölling; …Designed to exist in passing time: Robert Rauschenberg’s Black Paintings – Jennifer Hickey; Through the conservator s lens: from analogue photowork to digital printout – Sanneke Stigter; Mind the gap: Recognising the material legacy of transitional art practice – Dr Dawn V. Rogala; Street Art: Its evolving materials and a consideration of how necessity is the mother of invention – Will Shank; Tracing authenticity in the computational age by looking at alliances in net art practices – Dr Annet Dekker; Artist’s experiments with new materials in works of art: How to preserve intent and matter – Dr Monika Jadzinska; Motors matter: Electro-Mechanical devices in contemporary art preservation. Two case studies – Laura Calvi, Iolanda Ratti, Roberto Dipasquale; Connecting practices of preservation: exploring authenticities in contemporary music and performance art – Andreia Nogueira and Hélia Marçal; Authenticity and authorship in socially engaged art – Dr Rebecca Gordon; Identifying aesthetic and technological thresholds in the restoration of contemporary art – Tiarna Doherty and L. H. (Hugh) ShockeyWashington DC; Conserving authenticity in transition – Stephanie de Roemer; Blind spots in contemporary art conservation. Results of an interdisciplinary workshop – Julia Giebeler, Nora Krause, Prof. Dr Gunnar Heydenreich; Authenticities and ontologies: an approach from practice theory – Prof. Renée van de Vall.
OpenEdition vous propose de citer ce billet de la manière suivante :
Marc MAIRE (6 février 2017). Authenticity in transition. Semin'R. Consulté le 10 mai 2026 à l’adresse https://doi.org/10.58079/tzci